Spanish books to read at B1 and B2: short classics in order of difficulty
Twelve classics in Spanish for intermediate learners, from a three-page story to a full novel, in the order we would read them. All are in the public domain, and four are free to read on Lexico with a translation one tap away.
Spanish is kind to readers. The past tenses in a nineteenth-century story are the ones people still use in conversation, and the spelling tells you how every word sounds. What makes a classic hard is vocabulary and sentence length, so this list starts with a writer who kept both under control.
The levels are our estimates of what you need when a translation is within reach. Without any help, add half a level.
The list
| Book | Author | Year | Length | Level | Where |
|---|---|---|---|---|---|
| A la deriva | Horacio Quiroga | 1912 | Very short story | B1 | Free libraries |
| El almohadón de plumas | Horacio Quiroga | 1907 | Very short story | B1 | Free on Lexico |
| Cuentos de la selva | Horacio Quiroga | 1918 | Eight stories | B1 | Free libraries |
| La gallina degollada | Horacio Quiroga | 1909 | Short story | B1–B2 | Free on Lexico |
| Los ojos sombríos | Horacio Quiroga | Short story | B2 | Free on Lexico | |
| ¡Adiós, Cordera! | Leopoldo Alas, "Clarín" | 1892 | Short story | B2 | Free libraries |
| Leyendas | Gustavo Adolfo Bécquer | 1858–1864 | Short tales | B2 | Free libraries |
| Marianela | Benito Pérez Galdós | 1878 | Short novel | B2 | Free libraries |
| El retrato de Dorian Gray | Oscar Wilde, in Spanish | 1890 | Novel | B2 | Opening chapters free on Lexico |
| Niebla | Miguel de Unamuno | 1914 | Novel | B2 | Free libraries |
| El sombrero de tres picos | Pedro Antonio de Alarcón | 1874 | Short novel | B2–C1 | Free libraries |
| Lazarillo de Tormes | Anonymous | 1554 | Short novel | C1 | Free libraries |
"Free libraries" means Project Gutenberg, Wikisource or Elejandría. Our guide to where to get ebooks legally explains how to download from each.
Start here: Horacio Quiroga
Quiroga was Uruguayan, lived for years in the jungle of Misiones in northern Argentina, and wrote short stories the way Poe did: few characters, one situation, an ending that lands. His sentences are short and his stories are often only a few pages long. For a learner, he is the best first author in Spanish.
A la deriva is about three pages. A man is bitten by a snake and sets off down the river in his canoe to find help. El almohadón de plumas is nearly as short: a young bride wastes away in a cold, silent house, and nobody can find out why.
Cuentos de la selva is the gentle one. Quiroga wrote these eight stories for his own children, about the animals of the jungle: a giant tortoise, flamingos, a lazy bee. The language is simple on purpose. You will meet some animal names from the region, such as yacaré for a caiman, and they repeat until you know them.
La gallina degollada and Los ojos sombríos are for when the first stories feel comfortable. The first is short and brutal. The second is a love story told by one friend to another at a dance.
Short pieces from Spain
¡Adiós, Cordera! is one of the best-loved short stories in Spanish. Two children in a meadow in Asturias look after the family cow, while the telegraph and the railway arrive at the edge of their world. It is short and sad, with some rural vocabulary.
Bécquer's Leyendas are romantic tales of ghosts, ruins and impossible loves. Start with El monte de las ánimas or Los ojos verdes. Each is short, but his sentences are long and decorated, so read them slowly. They are on almost every Spanish school reading list.
First novels
Marianela is the usual first Galdós, because it is short and the story is simple: a poor orphan girl is the guide of a blind young man in a mining town, and a doctor arrives who may be able to give him his sight. Galdós writes clear, generous prose.
El retrato de Dorian Gray is a translation, and translations are often easier than originals of the same period. You may know the story already: a young man stays beautiful while his portrait ages with every sin.
Niebla is the most modern book on the list. Augusto Pérez falls in love, hesitates, and ends up arguing with the author who invented him. Most of it is dialogue, which keeps the sentences short, though the conversations turn philosophical.
El sombrero de tres picos is a comedy about a miller, his beautiful wife and a magistrate who wants her. It is short and funny, with a narrator who enjoys old-fashioned turns of phrase.
Lazarillo de Tormes is on the list because every student of Spanish meets it sooner or later. A boy serves a series of masters, each worse than the last, beginning with a blind beggar. It is short, but the Spanish is from the sixteenth century. Read it last, and look for an edition with modernised spelling.
What looks strange in older Spanish
Three things appear in these books that a course may not have shown you. All three are easy once you have seen them.
| You see | It is | Read it as |
|---|---|---|
| díjole, levantose, acercáronse | A pronoun attached to the end of the verb | le dijo, se levantó, se acercaron |
| el que fuera su amigo | The -ra form used as a past perfect | el que había sido su amigo |
| fuere, hubiere, viniere | The future subjunctive | The present subjunctive: sea, haya, venga |
Writers from Spain also use vosotros forms that learners of Latin American Spanish may not know: tenéis, sois, os digo. In Lexico, tapping a verb gives its tense and its dictionary form, so none of this stops you for long.
What about modern books?
The easy modern books people recommend, from El principito to short novels by living authors, are still in copyright. Note also that Spain keeps a longer term for older authors: anyone who died before December 1987 is protected for 80 years there, not 70.
You can buy a modern book as an ebook without copy protection and convert your own copy to read the same way as the classics above. The guide to legal ebooks lists Spanish stores that label their books as DRM-free.
How to use the list
- Read one short story before any novel. Finishing something matters more than what it is.
- Stay with one author for a while. A writer repeats their own vocabulary, so the third Quiroga story is easier than the first.
- Test a book on its first page. If you follow the gist with fewer than half the sentences translated, it fits. If not, move up the list and come back.
- Guess before you check. The method is in how to read your way into a language.
The whole Spanish shelf, with the opening of each book as the app shows it, is at Spanish books with English translation.